Science poetry or scientific poetry is just a particular poetic type that utilizes science as its subject. Written by researchers and nonscientists, research poets are generally avid visitors and appreciators of technology and “research matters.” Technology poetry might be within anthologies, in libraries, in science fiction magazines that occasionally contain poetry, in different publications and journals. Several science fiction magazines, including on line publications, such as for instance Weird Capabilities, frequently publish science fiction poetry, still another form of science poetry. Of course science fiction poetry is a notably different genre. Online there is the Research Poetry Center for anyone enthusiastic about science poetry, and for anyone enthusiastic about research fiction poetry The Technology Fiction Poetry Association. Furthermore, there is Research Fiction Poetry Handbook and Supreme Science Fiction Poetry Guide, all found online. Odd Horizons has published the research fiction poetry of Joanne Merriam, Gary Lehmann and Paul Allen.mk677
For research poetry, technology or scientific poets like technology fiction poets might also submit choices of poetry in nearly every stylistic format. Research or clinical poets, like other poets, must know the “art and hobby” of poetry, and science or clinical poetry seems in all the lyrical types: free passage, clear verse, metrical, rhymed, unrhymed, abstract and cement, ballad, extraordinary monologue, story, lyrical, etc. All of the lyrical devices come in use also, from alliteration to apostrophe to pun to irony and understatement, to every poetic diction, results of speech and flow, etc. Also metaphysical medical poetry is possible. In his anthology, The World Treasury of Physics, Astronomy, and Mathematics, editor Timothy Ferris aptly includes a section named “The Poetry of Science.” Claims Ferris in the release to this part, “Science (or the’natural viewpoint’from which technology evolved) has extended provided poets with organic product, striking some to reward clinical a few ideas and others to react against them.”
Such greats as Milton, Blake, Wordsworth, Goethe possibly recognized or “excoriated” research and/or a mix of both. This continued in to the twentieth century with such poets as Marianne Moore, T. S. Eliot, Robinson Jeffers, Robert Frost and Robert Hayden (e.g. “Full Moon”—”the outstanding challenger of rocket experts”) and of course most of the reduced known poets, who none the less maintain a graceful response to scientific matters. Claims Ferris, “This really is not to imply that scientists should try to emulate poets, or that poets must change proselytes for science....But they need one another, and the world wants both.” A part of his anthology along with the most readily useful medical prose/essays would be the poets Walt Whitman (“When I Seen the Learn’d Astronomer”), Gerard Manley Hopkins “(“I am Just like a Slide of Comet...”), Emily Dickinson (“Arcturus”), Robinson Jeffers (“Star-Swirls”), Richard Ryan (“Universe”), Wayne Clerk Maxwell (“Molecular Evolution”), John Updike (“Cosmic Gall”), Diane Ackerman (“Room Shuttle”) and others.
Certainly those writing medical poetry like these writing research fiction will not need to praise every one of science, but science nonetheless the niche subject, and there’s often a greater connection between poetry and research than possibly poets and/or researchers admit. Imagination and relationship may be in both, as can the intellectual and the mathematical. Equally can be cosmetic and logical. Or both may be nonaesthetic and nonlogical, with regards to the form of research and the kind of poetry.